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Fabian Marcaccio Biography PDF

Fabian Marcaccio

Biography

b. 1963 Rosario, Santa Fe, Argentina
Lives and works in New York City

Education

University of Philosophy, Rosario, Santa Fe Argentina

Solo Exhibitions

2007
Draftants, BravinLee programs, New York, NY

2006
Private Contractor Paintant + New Paintants, Kevin Bruk Gallery, Miami, FL

2005
Paintant Archeology, FRAC Auvergne, Clermont-Ferrand, France
Ezeiza-Paintant, MALBA Colección Constantini, Museo de Arte Latinoamericano de Buenos Aires, Argentina
Paintant Stories, DAROS Exhibitions, Zurich, Switzerland
From Altered Paintings to Paintants, DA 2 Domus Artium 2002, Salamanca, Spain U.N-Paintant, Galerie Thomas Schulte, Berlin, Germany

2004
Jours noirs, Galerie Thaddeaus Ropac, Paris, France
Permanent State of Exemption, Galerie Rolf Ricke, Cologne, Germany
From Altered Paintings to Paintants, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Miami Paintant, MAM Miami Art Museum, Miami

2003
De-Realized Painting, Emmapassage, Tilburg, Netherland

2002
Janeila’s 5 Moves, Gorney Bravin + Lee, New York, NY
Summer Projects 2002, P.S.1 Contemporary Art Center, New York, NY
Paintants, Galeria Joan Prats, Barcelona, Spain

2001
Galerie Thaddeus Ropac, Salzburg, Austria.(Two-person show with Peter Halley)
Sam Gordon / Fabian Marcaccio, Kevin Bruk Gallery, Miami, FL
Greg Lynn/Fabian Marcaccio, Predator, Wexner Center for the Arts, Columbus, OH: University of California, Irvine, CA

2000
Paintant Stories, Cologne Kunstverein, Cologne, Germany; Stuttgart Kunstverein, Stuttgart, Germany

1999
Greg Lynn/Fabian Marcaccio, The Tingler, Secession Building, Vienna, Austria
Time-Paintants Gorney Bravin + Lee Gallery, New York, NY
Early Works, The Consulate General of Argentina, New York, NY
Paintant Story, Galerie Rob Jurka, Amsterdam, The Netherlands

1998
Fabian Marcaccio – Jessica Stockholder, Sammlung Goetz, Munich, Germany
Fabian Marcaccio – Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA
With-ject Spain, Joan Prats Gallery, Barcelona, Spain
Paintants #3, Mario Diacono Gallery, Boston, MA
Paintant Compounds, Galerie Rolf Ricke, Cologne, Germany
Con-jecto Argentina, Galeria Ruth Benzacar, Buenos Aires, Argentina

1997
Paintants, Baumgartener Gallery, Washington, D.C.
Paintants #2, Schmidt Contemporary Art, St. Louis, MO

1996
Conjectural AmendmentsBravin Post Lee Gallery, Expoarte, Guadalajara, Mexico
Galerie Barbara Farber, Amsterdam, The Netherlands
Galeria Camargo Vilaca, Sao Paulo, Brazil

1995
Paint-Zone, Bravin Post Lee Gallery, New York, NY
Paint-Zone L.A., Louver Gallery, Los Angeles, CA
Use of Evidence, Contemporary Art Museum U.S.F. Tampa, FL (two person)

1994
On Unpaintables,Thaddeus Ropac Gallery, Paris, France
New Paint Management, Galerie Rolf Ricke, Cologne, Germany

1993
The Altered Genetics of PaintingNew York, NY
Mutual Betrayal, Barbara Farber Gallery, Amsterdam, The Netherlands
Unpaintables, Anders Tornberg Gallery, Lund, Sweden

1992
John Post Lee Gallery, New York, NY (two person)
Inter-Painting, Jason Rubell Gallery, Palm Beach, Fl

Group Exhibitions

2008
You & Me, Sometimes..., Lehmann Maupin, NY

2006
Art 37 Basel, Art Unlimited, Basel, Switzerland
Studio in the park, BravinLee programs, Riverside Park, New York

2005
What´s new pussycat?, Museum für Moderne Kunst, Frankfurt am Main, Germany Sweet Temptations – Dialoge mit der Sammlung Rolf Fricke, Kunstmuseum St. Gallen, Switzerland (Febr-May 2005)
Swing Space – Performance Space, Performance and Installation, Weston Hall, Toronto Goya and Here Comes The Bogey-Man, Chelsea Art Museum, New York, NY (June-Sept 2005)
Baroque and Neobaroque. The Hell of the Beautiful, Domus Artium 2002, Centro de Arte de Salamanca, Spain (Oct 2005-Jan 2006)
Tri Repetae, FRAC Auvergne, Ecole des Beaux-Arts de Saint-Etienne, France L’Art de la Fugue, FRAC Auvergne, Montluon, France
Le syndrome de Babylone, FRAC Auvergne, Centre d’Art Contemporain de la Villa du Parc, Annemasse, France

2004
Surface Tension, Chelsea Art Museum, New York, NY
Future Noir, Gorney Bravin + Lee, New York, NY

2003
2003 Before And After Science, Marella Arte Contemporanea, Milan, Italy; (19 Feb. – 5 April) The Triennial for Art by the Sea, Seascape in Confrontation, Beaufort 2003, Oostende, Belgium (April – Sept)
Painting’s Edge 2003, Parks Exhibition Center, Idyllwilds Arts, Idyllwilds, CA Schokolade, was denn sonst - Sammlung Rolf Ricke, Kunstraum Innsbruck (Apr-June) 8. Biennale Havanna 2003, Havanna (Nov-Dec)
Nine Little Giants, Galerie Thomas Schulte, Berlin
Intricacy, A Project by Greg Lynn, Institute of Contemporary Art, Philadelphia, PA (18 Jan. – 6 April); Yale University, New Haven (2 Sept-7 Nov)
La Langue dans la Boue, FRAC Auvergne, Musée des Arts Textiles, Clermont-Ferrand, France
Cinéma(s), FRAC Auvergne, Dompierre sur Besbre, France

2002
Attack: Attraction, Photography – Painting, Marcel Sitcoske Gallery, San Francisco, CA; 5 Dec.- 31.Jan.
Unexpected Selections from the Martin Z. Margulies Collection: Art from 1985 to the present Florida International University, Miami, FL; (20 Sept.-8 December)
Summarize / Summer Eyes: Unique Works, Jan Weiner Gallery, Kansas City, MO; (5 Jul.-31 Aug.)
Documenta 11 Multiple-Site-Paintant, Kassel, Germany; (8 June - 15 September)
Einfach Kunst, Sammlung Rolf Ricke, Neues Museum, Nürnberg, Germany; (6 June-25 August)
Choose Your Partner, Nusser & Baumgart Contemporary, Munich

2001
Rotativa, Galeria Fortes Vilaça, Sao Paulo, Brasil; (7 Dec. 2001-18 January 2002) The Beauty of Intimacy: Lens and Paper, Kunstraum Innsbruck, Innsbruck, Austria; (24 Nov–12 Jan)
7th International Istanbul Biennial, Istanbul, Turkey (21 September - 17 October) Geometrie & Gestus, Galerie Thaddeus Ropac, Salzburg, Austria; curated by Nicolas Ruzicska (22 Jul.-31 Aug.)
Hybrids, Liverpool Tate, Liverpool, UK; (6 April - 24 June)
Transpolyblue, Smith Contemporary Art, St.-Louis, MO
Secretation, Jacob Karpio Gallery, San Jose, Costa Rica
Trans>arts.cultures.media presents Trans>editions, Chac Mool Gallery, West Hollywood, CA; (30 Mar-17 Apr)
The Beauty of Intimacy, Gemeentemuseum, The Hague, The Netherlands (catalogue)

2000
Snapshot, Contemporary Museum, Baltimore, MD (2 Nov.- 14 Jan.)
Unlimited Space, Les Filles du Calvaire, Paris, France, curated by Catherine Perret
Flux et transparencies, Les Filles du Calvaire, Paris, France, curated by Christine Buci- Glucksmann and Catherine Perret
Lasker, Marcaccio, Uslé, Marcel Sitkoske Gallery, San Francisco, CA
Movin' on Up, Andrew Mummery Gallery, London, England
Good Business is the Best Art, Bronx Museum of the Arts, The Bronx, NY
Working Digitally, Atrium Gallery, University of Connecticut, Stanford, CT, curated by Saul Ostrow
Super-Abstraction, The Box, Naples, Italy, curated by Andrea Busto
Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MI
bit_by_bit: painting & digital culture Voxpopuli, Numark Gallery, Washington,D.C., Philadelphia, PA
Six Abstract Artists at the Millenium, David Dorsky Gallery, New York, NY; (brochure)
Hosfelt Gallery, San Francisco, CA; New Work: Abstract Painting (4 Jan. – 19 Feb.)

1999
Painting Language, L.A Louver, Los Angeles, CA, (2 Dec. 1999 – 8 January, 2000) Warren Robbins Gallery, School of Art & design, University of Michigan, Ann Arbor, MI; Gesture and Contemporary Painting, curated by Brian Stechschulte and Mike Underwood
Jack S. Blanton Museum of Art, Austin, Texas: Macro-Micro
Abstract: Eine Definition Abstrakter Kunst
and der Schwelle des Milleniums, Galerie Thaddaeus Ropac, Salzburg, Austria (cat.)
Unprivileged Space, Boras Konstmuseum, Bildmuseet, Umew and Edsvik Konst och Kultur Sollentuna, Sweden, curated by Elizabeth Haglund

1998
Sick of Photography: A Painting Show, Santa Barabara Museum, Santa Barbara, CA, curated by Michael Darling
Schmidt Contemporary Art, St. Louis, MO
Corcoran Gallery of Art, Washington D.C forThe Forty-Fifth Biennial, Curated by Terrie Sultan
Abstract Painting Once Removed, Contemporary Arts Museum, Houston, TX, and
Kemper Museum of Contemporary Art, Kansas City, MO, curated by Dana Friis-Hansen Spectacular Optical, Thread Waxing Space, New York, NY and Museum of Contemporary Art, North Miami, Fl, curated by Lia Gangitano
Jahresgaben, Kolnischer Kunstverein, Cologne, Germany
Fabián Marcaccio – Jessica Stockholder, Sammlung Goetz, Munich

1997
New York Abstraction, Macdonald Stewart Art Centre, Ontario, Canada, curated By David Moos
Ca-Ca Poo-Poo, Kolnischer Kunstverein, Cologne, Germany, curated by Udo Kittelmann.(cat.)
Grito, Museum Nacional de Bellas Artes, Rio de Janeiro, Brazil
Pintura, Galeria Joan Prats, Barcelona, Spain
Galeria Marta Cervera, Madrid, Spain
After the Fall, Snug Harbor Cultural Center, Staten Island, New York, NY, curated By Lilly Wei (cat.)
Technological Drift, Lawing Gallery, Houston, TX
Premilenial Tension, Marella Arte Contemporanea, Sarnico, Italy
Royal Botanic Museum, Edinburgh, UK , travelling to The Edwin A. Ulrich
Theories of the Decorative, Museum of Art, Wichita, KS, curated by David Moos.(cat.)
New York, Galleri F 15, JelŘy, Norway, curated by Barry Schwabsky,(cat.)
Wetterleuchten, Galerie Evelyne Canus, France, curated by Gunter Umberg
,Transonic, Trans Magacine, Caracas, Venezuela
In-Form, Bravin Post Lee Gallery, New York, NY
De Visiones Y De Ritmos, Centro Cultural Parque Espana, Rosario, Argentina, curated by Eleonora Traficante, (cat.)
Antlitz, Galerie Thaddaeus Ropac, Salzburg, Austria, curated By Nikolaus Ruzicska. (cat.).
Face-ŕ-Face, Galerie Thaddeus Ropac, Paris, France (cat.)
Relations between Contemporary Architecture and Painting, Kunstlerhaus Palais Thurn und Taxis, Bregenz, Austria, Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto
Vertical Painting, P.S.1 Contemporary Art Center, Long Island City, New York, NY
Stepping Up, Andrew Mummery Gallery, London, UK

1996
Camargo Vilaca BIS, Studio Segall, Sao Paulo, Brazil
Photographism, Pratt Manhattan Gallery, New York, NY, curated by Eleanor Moretta Forum For Contemporary Art, St. Louis, MO, curated by Martin Ball.(cat.)
New Abstract Practices, The List Center at M.I.T., Cambridge, MA, curated by Helaine Posner (cat.)
Transformal, The Wiener Secession, Vienna Austria, curated by Maia Damianovic.(cat)
Works on Paper Galerie Rolf Ricke, Cologne, GermanyGalerie Thaddeus Ropac, Paris, France: Pratiques abstraites (book)
Bare Bones, T'Zart, New York, NY, curated by Nina Yankowitz
Painting in An Expanding Field, The Ursan Gallery, Bennington College, Bennington, VT, cur. by Saul Ostrow
Alice's Looking Glass, Apex Art, New York, NY, curated by Mary Beyt. (cat.)
Without Frontiers, Museo Alejandro Otero, Caracas, Venezuela, curated by Miguel Miguel.(cat.)

1995
The Corcoran Biennial Exhibition: …..Painting, The Corcoran Museum of Art, Washington, D.C.
Outside Painting, curated by Terrie Sultan, (Winter 1995-1996) (cat.)
Unveiled Painting, Kunstraum, Vienna, Austria, curated by Klaus Dieter Zimmer and organized by Markus Bruderlin
Artists and Abstraction Today, The High Museum, Atlanta, GA
Art at The Edge: Tampering, curated by Susan Krane, (brochure).
Malerei, Busche Gallery, Berlin, Germany, (with Callum Inness)
Transatlantica, Museo Alejandro Otero, Caracas, Venezuela, (cat.)
The Adventure of Painting, The Kunstverein, Düsseldorf and the Kunstverein Stuttgart, organized by Martin Hentschel and Raimund Stecker (cat.)
Mesotica, Museo de Arte e Diseno Contemporaneo, San Jose, Costa Rica
Pittura – Immedia, Neue Galerie/Landesmuseum Joanneum, Graz, Austri, curated by Peter Weibel (cat.)
Una Nuova Tradizione Americana, Galleria Oddi Baglioni, Rome, Italy
On Target, Horodner Romley Gallery, New York, NY
Outside You (with Gregory Crewdson and Charles Long), Baumgartener Gallery, Washington, D.C. (cat.)
The Mutated Painting, Galerie Martina Detterer, Frankfurt, Germany
Architecture of The Mind, Galerie Barbara Farber, Amsterdam, Netherlands, curated by David Moos (cat.)
New York Abstract, Contemporary Arts Center, New Orleans, LA, (cat.)

1994
Revisioning The Familiar, Zilkha Gallery, Wesleyan University, Middletown, CT, (brochure)
De-Pop, Connecticut College, New London, CT, curated by Sandra Antelo-Suarez
On Paper, Schmidt Contemporary Art, St. Louis, MO
Painting Language, L.A. Louver, Los Angeles, CA
Drawings: Lasker, Marcaccio, Nozkowski, Stephan, Bravin Post Lee, New York, NY
Benefit Exhibition, Museum of Contemporary Art, Los Angeles, CA
Cleveland Center for Contemporary Art, Cleveland, OH
Fractured Seduction, Artifact Gallery, Tel Aviv, Israel, curated by Maia Damianovic (cat.)
The Brushstroke and its Guises, New York Studio School, New York, NY, curated by Rosemarie Erp (brochure)
Galerie Nacht St. Stephan, Vienna, Austria: Conditional Painting
Reveillon, Stux Gallery, New York, NY
Possible Things, Bardamu Gallery, New York, NY, curated by Vik Muniz
Meta-MaterialPlasma, Sagaponack, New York, NY

1993
Group Show, Baumgartner Gallery, Washington, D.C.
New Museum Benefit, New Museum, New York, NY
Tool Box, Studio la Cittŕ, Verona, Italy, curated by Anthony Ianacci (cat.)
Teddy and Other Stories, Claudio Bottello Arte, Turin, Italy; Galleria in Arco, Turin, Italy, curated by Luca Beatrice and Cristiana Perrella (cat.)
Jours tranquilles ŕ Clichy, Paris/New York, curated by Alain Kirili
Needlepoint, Embroidery, Macrame, and Crochet, Postmasters, New York, NY, (cat.)
Sala Comunale Palazzo Costanzi, Trieste, Italy; Lattuada Studio, Milan, Italy
The Post-Dialectical Index, Horodner Romley Gallery, New York, NY, curated by Robert Morgan & Maria Compitelli (cat.)
Irony & Ecstasy, Salama-Caro Gallery, London, UK, curated by Klaus Ottman (cat.)
Plötzlich Ist Eine Zeit Hereingebrochen, In Der Alles Möglich Sein Sollte (All of A Sudden A Time Has Come Where Everything Should Be Possible), curated by Udo Kittelmann Kunstverein, Ludwigsburg, Germany
Painting in The 90's, Ruth Bloom Gallery, Los Angeles, CA, (brochure)
Galeria Namia Mondolfi, Caracas, Venezuela (cat.)

1992
Niente Nuovo, Studio La Cittŕ, Verona, Italy, curated by Anthony Iannacci (cat.)
Slow Art, curated by Alana Heiss, P.S.1 Contemporary Art Center, Long Island City, NY
A New American Flag, Protetch Gallery, New York, NY
Kinder Macht Neues!, Galerie Rolf Ricke, Cologne, Germany(cat.)
Group Show, Arena Gallery, New York, NY
Theoretically Yours, The Museum of Aosta, Aosta, Italy (cat.)
Contextures/Constructures, curated by Jonathan Seliger (broch.)Rubinstein/Diacono, New York, NY
Who's Afraid of Duchamp, Minimalism and Passport Photography, curated by Collins & Milazzo Annina Nosei Gallery, New York, NY
Erwartung, curated by Carlos Basualdo Municipal Museum, Rosario, Argentina
Cultural Fabrication John Good Gallery, New York, NY
Recent Abstract Painting, Schmidt Contemporary, St. Louis, MO
Off BalanceJason Rubell Gallery, Palm Beach, Fl
How it Is, curated by Jonathan Seliger, Shafrazi Gallery, New York, NY

1991
New Era Space, New York, NY, curated by Collins & Milazzo
Ornament: Ho Hum All Ye Faithful, John Post Lee, New York, NY
Althea Viafora Gallery, New York, NY
Invitational, Stux Gallery, New York, NY
Jacob Karpio Gallery, San Jose, Costa Rica (cat.)

1990
International Biennial of Paper Art, Hoesch Museum, Duren, Germany
Paradigma 80's-90's, Jacob Karpio Gallery, San Jose, Costa Rica

1989
Invitational, Stux Gallery, New York, NY
Ideas and Images From Argentina, Bronx Museum, New York, NY (cat.)
Translations, Castle Naudary, France

1988
Bronx Museum, New York, NY (cat.)
Crisallis, Center for The Arts, Rochester, New York, NY
Sei Incisori, Palazzo Bounaccorsi, Italy
Jornadas de la Critica, Spineto Center, Buenos Aires, Argentina
San Telmo Foundation, Buenos Aires, Argentina

Bibliography

2005
Vergne, Jean-Michel, Paintant Archeology, FRAC Auvergne Clermont-Ferrand, France, Ausstellungskatalog
Meyer-Stoll, Christiane; Panera Cuevas, Javier, From Altered Paintings to Paintants, Kunstmuseum Liechtenstein, Liechtenstein; DA 2, Domus Artium 2002, Salamanca, Spain, Ausstellungskatalog

2004
Marcaccio, Fabian; Meyer-Stoll, Christiane, 661 Conjectures For a New Paint Management, 1989-2004, Kunstmuseum Liechtenstein, Liechtenstein, Ausstellungskatalog
Monica Amor, Preview: Fabian Marcaccio , Kunstmuseum Liechtenstein, in: Artforum, September, p. 128

2003
Lynn, Greg, Intricacy, ICA Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Yale University Art Gallery, New Haven, CT, Ausstellungskatalog
Princenthal, Nancy Art in America, Fabian Marcaccio: Paintant’s Progress, Jan.; pp.62-65, 119 Heingartner, Douglas, Fabian Marcaccio, Frieze, Ausgabe / Issue 79, Nov-Dec, pp.100-101
Siegel, Katy, Fabian Marcaccio: Talks about Confine Paintant, 2003, in: Artforum, Nov, pp.150-151

2002
unsigned Vitamin P, New Perspectives in Painting, project editor Valerie Breuvart, published by Phaidon Press Limited; pp. 202-205
Eleey, Peter Frieze, Painting Report, PS1 Contemporary Art Center, NY Nov-Dec.; pp.105-106
unsigned Flash Art, Focus Painting Part II, Contemporary Painting Today Nov.-Dec.; p.86
Smith, Roberta The New York Times, Cracking the Same Mold With Different Results 15 Nov. p.E38
Holmes, A.M. Vanity Fair, Brush With Destiny, September, p. 186
Katzenstein, Inés Art Nexus, Fabián Marcaccio; The Current State of Political Painting Oct.-Dec. pp.58-62
Robinson, Walter. www.artnet.com, Weekend Update, 23 July
Levin, Kim. The Village Voice, The CNN Documenta, 9 July; p.57
Galloway, David. International Herald Tribune, The Silence is Broken in Kassel, 15-16 June; p.6
Schwarze, Dirk. Sonntags Zeit (Germany), Rau: Besuch der documenta lohnt sich, 9 June (front page)
Perez, Luis Francisco. Lapiz, Fabian Marcaccio, June
Borras, Maria LLuisa. La Vanguardia, Entidades hibridas y radicals, 31 May
Molina, Angela. El Pais, Trementina y dolor, 18 May
Oliveras, Jaume Vidal. Arte y Parte, Fabian Marcaccio, May
Moreno, Jean. Art Papers, The Virtues of Corruption; An Interview with Fabian Marcaccio, April
Volk, Gregory. Art in America, Report from Istanbul, March, pp.42-45, 47
Moreno, Gean. Flash Art, Reviews: Fabian Marcaccio at Kevin Bruk, Jan.-Feb., p.97

2001
Klein, Lee. NYArts,No I[n]stant[t]bulshit: Lee Klein @ the Turkish Bienal Part One, Nov, pp.31-33
Seidel, Martin. Kunstforum, Fabian Marcaccio: Paintant Stories, June-July, pp.372-373
Koerver, Jens Peter. Kölner Stadt Anzeiger, Review: Kölnischer Kunstverein, 28-29 April; p.39
Von Uschi, Baetz. Kölnische Rundschau, Grellbuntes Geflecht drängt nach draussen, 27 April
Muschamp, Herbert. The New York Times, Ideals Made of Paper and the Impact of the Unbuilt, 11 March; p.AR 34
Levy, Daniel S. Time, Suite Fantastique: The Wexner Center, Columbus OH, 29 Jan

2000
Wagner, Thomas. Frankfurter Allgemeine Zeitung, Eine Malerei des Paradoxons:..(review), 14 Nov, p.60
Volk, Gregory. Art in America, Fabian Marcaccio, April, p.150
Glueck, Grace. The New York Times, Six Abstract Artists at the Millennium, 18 Feb.
Thorston, Alice The Kansas City Star, Painter Fabian Marcaccio: Beyond the Brush, 13 Feb.
Sheets, Hilarie M. Artnews, Fabian Marcaccio, Feb.
unsigned. Art on Paper, The Big Print, January-February, p.24
Humphrey, David. Art Issues, New York, e-mail, January-February, pp.40-41

1999
Carlos Basualdo, Cream, Essay, Phaidon, London
Elizabeth Haglund, Unprivelaged Space, Essay, exhibition catalog
Raphael Rubenstein, Unprivelaged Space, Essay, exhibition catalog

1998
Reinaldo Laddaga, Con-jecto Argentina, Essay, exhibition catalog
Carlos Basualdo, Con-jecto Argentina, Essay, exhibition catalog
Saul Anton, Inform at Bravin Post Lee. art/text, March 1998
Ines Katzenstein, Anatomia de la Pintura, Elle, March 1998
Eine Arena der schrillen Synthesen, Kolner Stadt-Anzeiger, June 1998
Eva Grinstein, Un heterogeneo conjunto de obras, El Cronista, March 1998
Enrique Juncosa, La Pintura Teorica de Marcaccio, April 1998
Angela Molina, Marcaccio no es Masaccio, ABC Cataluna, April 1998
Marin Medina, Fabian Marcaccio, Pintura en Expansion, ABC de las Artes, April 1998
Ricardo Barnatan, Salir del Gueto, El Mundo, April 1998
Fabian Lebenglik, Las Mutaciones de la Pintura, March 1998

1997
Raphael Rubenstein, Le sens plastique de la peinture, Essay, Pratiques Abstraites, College International de Philosophie
Christine Buci-Glucksman, Vers une post- abstraction?, Essay, Pratiques Abstraites. College International de Philosophie
Carlos Basualdo, Tiendas de Guerra, Art Nexus - April/June #24.
Raphael Rubenstein, Abstraction out of Bounds, Art in America - Nov. #11.
Barry Schwabsky, Catalogue Essay, New York, Gallery F15, Jeloy, Norway
Eleonora Traficante, Catalogue Essay, De Visiones y De Ritmos, Rosario, Argentina.
Raphael Rubenstein, Quatre Modulations, Book Essay, Peintures Croisees, L'Harmattan, Paris
Howard Risatti. Fabian Marcaccio at Baumgartner Galleries, ArtForum, Summer 1997
Roberta Smith, In-Form at Bravin Post Lee Gallery, The New York Times, July 1997
Roberta Smith, More Spacious and Gracious, Yet Still Funky At Heart, The New York Times, October 1997
Janet Wilson, Fabian Marcaccio at Baumgartner, ARTnews, June 1997
David Moos, Catalogue Essay, Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Royal Botanic garden, Edinburgh, Scotland, UK
Andrew Benjiman, Book Essay, What is Abstractions, Academy Editions, London, UK
Saul Ostrow, Catalogue Essay, More Part to the Whole: Revised and Reformed, After the Fall,, Snug Harbor Cultural Center, Staten Island, New York.
Howard Risatti, Review, Paintants, Baumgartner Galleries Inc., ArtForum #10
Maia Damianovic, La Pittura oltre i Confini, Tema Celeste March - April #61
Eleanor Moretta, Brochure, Photographism in Painting, Pratt Manhatten Gallery, New York.

1996
mith, Roberta, Review, Painting Outside Painting Corcoran Gallery, The New York Times.
Jhim Lamoree, Review, Barbara Farber, Flash Art - #191 Nov., Amsterdam, Netherlands Abigail Easman, Review, Barbara Farber, Art Nexus # 22
Saul Ostrow, Review, Painting Outside Painting Corcoran Gallery, The New Art Examiner, March
Milazzo, Richard, The New York Art Scene, Tema Celeste # 56
Damianovic, Maia, Art Presse, No. 211, March, On The Horns of A Dilemma
Risatti, Howard, Art Forum, review of Outside Painting The Corcoran Gallery
Cristine Temin, review of Face to Face, MIT List Art Center, The Boston Globe May 7
Mary Sherman, review of Face to Face, MIT List Art Center, The Boston Herald, April 28
Shawn Hill, Driven to abstraction, review of Face to Face, The Tab, April 23-29
Jeremy Gilbert-Rolfe, Cabbages, Raspberries, and Video's Thin Brightness, Painting in the Age of Artificial Intelligence, Art & Design, # 48
David Moos Architecture of the Mind, Machine Intelligence and Abstract Painting, Art & design, # 48

1995
Damianovic, Maia, Tema Celeste, No. 55 Winter, Page 44-49, Image Without Family
Trans Arts.Cultures.Media, Artist's Project, Page 17-24 and back cover. Premier Issue.
Pagel, David, Paradox Adds Strength to `Paint-Zone', Los Angeles Times, Thursday, November 9. Page F-4
Benjamin, Andrew, Fabian Marcaccio: Rehearsing Complex Painting, Journal of Philosophy and The Visual Arts, Issue #6, Page 45
Damianovic, Maia, Add-venture, Journal of Philosophy and Visual Arts
Rubinstein, Raphael, On Target, Art in America, May
Karcher, Eva, Malerie - Ein Pardoxes Netzwerk, Art, May. Page 67
Caminos, Ximena, Fabian Marcaccio. La Pintura Como Espacio Teorico, ArtINF, Spring, 1995, Page 15

1994
Carrier, David, Fine Young Cannibal: Fabian Marcaccio, Art Forum, September, Page 84
Levine, Angela, Abstract From America, The Jerusalem Post
Rubinstein, Raphael, Private Eyes, Art News, February, Page 89
Rubinstein, Raphael, Abstraction In A Changing Environment; An Interview with Fabian Marcaccio, Art In America, October, Pg. 102
Moos, David, What you can do for Pop to What Pop Can do For You, Art & Text, January #47, page 42
Sheffi, Smadar, Promisaary Notes, review, Ha'aretz Daily
Hofleitner, Johanna, Conditional Painting, Flash Art, May/June, Page 123
Saltz, Jerry, A Year in The Life: Tropic of Painting, Art In America, Oct., Page 99
Jorge Glusberg, Marcaccio Aataca 'el absurdo del discurso racionalista', Ambito Financiero, February. Page 2

1993
Ebony, David, Review, Art in America, October. Page 136
Drolet, Owen, Flash Art, review, June. Page 86
Schwabsky, Barry, Review, Artforum, Summer. Page 109
Smith, Roberta, Review, The New York Times, March 19.
Curto, Guido. Teddy and Other Stories at Claudio Botello and In Arco Turin, Flash Art, (Italian Edition), April
Kottman, Pieter. Marcaccio laat delen Schilderj Ontsnappen NRC Handelsblad, May 25.
Lamoree, Jhim. Beheerste Rampen, Kunst Genot, May 28. Page 86
Kahn, Eve. The Next Generation, Art & Auction, April
Mercuri, Bernardo. Teddy and Other Stories, Tema Celeste Page 75
The New Yorker ,Goings on About Town March 29.
Pinchback, Daniel. Openings, Art & Antiques, March
Fleming, Lee., Summer show at Baumgartner, The Washington Post, August 7.
McWilliams, Martha, Signifying Something, Washington City Paper
Ianacci, Anthony, Tool Box, Segno, May/June, Page 54

1992
Adams, Brook. Slow Art at P.S.1, Art in America, October
Kaneda, Shirley. Profiles and Positions: An Interview with Fabian Marcaccio, Bomb Magazine, Fall. Page 12
Mahoney, Robert. Fabian Marcaccio and Daniel Wiener, Arts Mag., April. Page 92
Tager, Alisa. Fabian Marcaccio and Daniel Wiener, Tema Celeste, Spring. April/May, #35 Page 93
Rubinstein, Meyer Raphael Fabian Marcaccio and Daniel Wiener, Flash Art, Summer. Morsiani, Paola. New York, Juliet, April-May
Smith, Roberta. Group Show, The New York Times, June 26.
The New Yorker, Goings on About Town, August 3.
Kolner Stadt-Unzeiger, Tips und Termine, June 12.
Collins & Milazzo. Fabian Marcaccio: A Talk with Collins & Milazzo (Doubletalk), Tema Celeste, Fall. #32/33 Page 93
Compitelli, Maria. The Post-Dialectical Index, Sala Comunale Palazzo Costanzi, Trieste, Italy; Lattuada Studio, Milan, Italy; Horodner Romley Gallery, New York.
Hirsch, Faye. Book Reviews, Print Collector's News Letter, review of John Post Lee Volume 2
Smolik, Noemi, Kinder Macht Neues, Artforum, December Page 105