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Thomas Nozkowski Biography PDF

Thomas Nozkowski

Biography

Born in New Jersey 1944
Lives and works in New York

Education

The Cooper Union, New York, Bachelor of Fine Arts, 1967

Awards

The American Academy of Arts and Letters, Award in Painting 1999
American Academy of Arts and Letters Purchase Prize, 1999
American Academy of Arts and Letters Purchase Prize, 1998
John Simon Guggenheim Memorial Foundation Fellow, 1993
New York State Foundation for the Arts Fellowship, 1989
New York State Creative Artists Public Service Grant, 1985
National Endowment for the Arts Individual Artist Grant, 1984

Major Public Collections

The Addison Gallery of American Art, The Benton Museum of Art, The Brooklyn Museum, Chase Manhattan Bank, The Corcoran Gallery of Art, The Cranbrook Museum of Art, The Edwin A. Ulrich Museum of Art, The High Museum of Art, The Hirshhorn Museum and Sculpture Garden, The Hoop Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, The New York Public Library, The Orlando Museum of Art, The Phillips Collection, The San Francisco Museum of Modern Art, Smith College Art Museum, The Vassar College Art Museum, The Whitney Museum of American Art and the Jane Voorhees Zimmerli Museum of Art.

Selected Solo Exhibitions

2008
Pace Wildenstein, Chelsea
Fischer Landau Center for Art

2007
Ludwig Museum, Coblenz, Germany
Mestna Galerija, Ljublijana, Slovenia

2006
BravinLee programs, New York
Max Protetch Gallery, New York

2005
Daniel Weinberg Gallery, Los Angeles, CA

2004
Haunch of Venison, London, England
Pollock Gallery, Southern Methodist University, Dallas TX

2003
New York Studio School, New York
Revolution Gallery, Ferndale MI
Max Protetch Gallery, New York

2002
Clough-Hanson Gallery, Rhodes College, Memphis TN
Williams Art Center, Lafayette College, Easton PA
Dorsky Museum of Art, New Paltz, NY
University of Connecticut, Storrs, CT
Ace Gallery, Los Angeles, CA

2001
Max Protetch Gallery, New York

2000
Max Protetch Gallery, New York
Galerie Frank, Paris, France
Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA
Foster Art Gallery, University of Wisconsin, Eau Claire, WI

1999
Revolution Gallery, Ferndale, MI

1998
Ulrich Museum of Art, Wichita, KS

1997
Corcoran Gallery of Art, Washington, D.C.
Max Protetch Gallery, New York
Stephen Wirtz Gallery, San Francisco, CA

1996
Baumgartner Galleries, Washington, D.C.
ACE Contemporary Exhibitions, Los Angeles, CA
Cranbrook Art Museum, Bloomfield Hills, MI
Revolution Gallery, Ferndale, MI

1995
Max Protetch Gallery, New York

1994
Stephen Wirtz Gallery, San Francisco, CA
Baumgartner Galleries, Washington, D.C.
Revolution Gallery, Ferndale, MI

1993
Max Protetch Gallery, New York
Paul Cava Gallery, Philadelphia, PA

1992
Feigen Gallery, Chicago, IL

1991
Max Protetch Gallery, New York
Beaver College Art Gallery, Glenside, PA

1990
Max Protetch Gallery, New York
Baumgartner Galleries, Washington, D.C.
Paul Cava Gallery, Philadelphia, PA

1989
Baumgartner Galleries, Washington, D.C.
Thomas Segal Gallery, Boston, MA
College of Creative Studies, University of California at Santa Barbara
Greenville Museum of Art, Greenville, SC

1988
Diane Brown Gallery, New York
Hillman Holland Gallery, Atlanta, GA
C. Grimaldis Gallery, Baltimore, MD

1987
Diane Brown Gallery, New York
Paul Cava Gallery, Philadelphia, PA
Klein Gallery, Chicago, IL

1986
Rosa Esman Gallery, New York

1985
Rosa Esman Gallery, New York
55 Mercer Gallery, New York

1984
Rosa Esman Gallery, New York
Mathews Hamilton Gallery, Philadelphia, PA

1983
Rosa Esman Gallery, New York
Gallery Nature Morte, New York
55 Mercer Gallery, New York

1981
Rosa Esman Gallery, New York

1980
55 Mercer Gallery, New York

1979
55 Mercer Gallery, New York
Nobe Gallery, New York

Selected Group Exhibitions

2005
New World Order, Domo Gallery, Summit NJ
Singular Expressions, Sheldon Memorial Art Gallery and Sculpture Garden,
University of Nebraska, Lincoln, NE
25th Anniversary Exhibition, Baumgartner Gallery, New York
Radical Vaudeville, Geoffrey Young Gallery, Great Barrington MA
In A Series, Adam Baumgold Gallery, New York
Paint It In Black, (curated by Phong Bui) Betty Cunningham Gallery, New York
Sets, Series and Suites: Contemporary Prints, Museum of Fine Arts, Boston
On Paper: Drawings from the 1960’s to the Present, Daniel Weinberg Gallery, Los Angeles CA
Trade, (curated by Matthew Higgs) White Columns Gallery, New York
Plan D, (curated by Sherman Sam) Municipal Gallery, Porto, Portugal; also Rubicon Gallery, Dublin; Model Arts and Niland Gallery, Sligo Ireland

2004
Arturo Herrera, Jac Leirner, Thomas Nozkowski, Brent Sikkema Gallery, New York
Art of the Definite, (curated by Helen Miranda Wilson), D. C. Moore Gallery, New York
Pencil Me In, Geoffrey Young Gallery, Great Barrington MA
The Widening Gyre (curated by Patrick Fitzgerald), Rubicon Gallery, Dublin
Something Above The Sofa, Rubicon Gallery, Dublin
Pickup Lines, Geoffrey Young Gallery, Great Barrington MA
Floored: Selection From the Permanent Collection, Sarah Moody Gallery of Art,
University of Alabama, Tuscaloosa AL
Paint, Kleinert Gallery, Woodstock NY
A Drawing Show, The Schoolhouse Center, Provincetown MA
DeKeyser, Frecon, Kendrick, Kowski, Nozkowski, Gorney, Bravin and Lee, New York
Colored Pencil, KS Art, New York
A Ten Year Anniversary Exhibition, Revolution Gallery, Ferndale MI
Endless Love (curated by Mark Griswold), D.C.Moore Gallery, New York NY

2003
Flix, Rubicon Gallery, Dublin, Ireland
Good For You, Mason Gross School of the Arts, New Brunswick, NJ
Thomas Nozkowski and Joyce Robins, The Schoolhouse Center, Provincetown, MA
Out of Line, Gallery 128, New York
Twisting and Turning, Abstract Painting Now (curated by Lili Wei), Blue Star Art Space, San Antonio, TX
Ballpoint Pen Inklings, (curated by Geoffrey Young), K & S Fine Art, New York
Resonance, (curated by Ken Buhler), The Workspace, New York

2002
Robert Mangold and Thomas Nozkowski, Michael Berger Gallery, Pittsburgh, PA
Jerald Jeans, John Millei, and Thomas Nozkowski: works on paper, Schmidt Gallery, St. Louis, MO
Painting’s Edge, Parks Exhibition Center, Idyllwild Arts, Idyllwild, CA
Pertaining to Painting, (curated by Paola Morsiani), Museum of Fine Arts, Austin, TX
Paintings on Paper, Schmidt Fine Arts, St. Louis, MO
New American Prints, Senior & Shopmarker, New York
Transcendent and Unrepentant, (curated by Sid Sachs), Rosenwald-Wolfe Gallery, University of the Arts, Philadelphia, PA
Structures, (curated by Marjorie Welish and Linda Francis), Vassar College Art Gallery, Poughkeepsie, NY
Vivid, Mead Gallery, Coventry UK; also Northern Gallery for Contemporary Art, Sunderland, UK
177th Annual Exhibition, National Academy of Design, New York

2001
Collector’s Gallery XXXIV, Marion Koogler McNay Art Museum, San Antonio, TX
Vivid, Richard Salmon Gallery, London, UK; Northern Gallery for Contemporary
Art, Sunderland, UK
Collectors Gallery XXXIV, The Marion Koogler McNay Art Museum, San Antonio, TX
Works on Paper, Tibor De Nagy, New York
Structures, (curated by Marjorie Welish and Linda Francis) Workspace, New York; Moravian College Art Gallery, Bethlehem, PA
Abstract Painting, Andrew Salomon Gallery, London, UK
Un/Familiar, Mason Gross School of the Arts, New Brunswick, NJ
Achromatic, Revolution Gallery, Ferndale, MI
Patient Process, Faulconer Gallery, Grinnel College, Grinnell, IA

2000
Recent Acquisitions, The Orlando Museum of Art, Orlando, FL
Small Works, Nina Freudenheim Gallery, Buffalo, NY
Trapeze Artists, Mason Gross School of the Arts, New Brunswick, NJ
Abstract Painting, New York Studio School, New York
Superduper New York, Pierogi 2000, Brooklyn, NY
Millenium: New Gifts and Acquisitions, William Benton Museum of Art, Storrs, CT

1999
Galore, (curated by David Moos) Birmingham Museum of Art, Birmingham, AL
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York
Group Show, Galerie Frank, Paris
Architecturally Abstract, Revolution Gallery in New York

1998
Thomas Nozkowski and Luis Gordillo, Marta Cervera Gallery, Madrid, Spain
Thomas Nozkowski and Richard Rezac, T.B.A. Exhibition Space, Chicago, IL
Pierogi 2000 at Vassar, (curated by Joe Amrheim) College Center Gallery, Vassar College, Poughkeepsie, NY
Frecon, Harrison, Nozkowski, (curated by Dee Mitchell) Turner & Runyon Gallery, Dallas TX
From Here to Eternity, (curated by Ruth Kaufmann) Max Protetch Gallery, New York
Hot, Revolution Gallery, Ferndale, MI
Exploiting the Abstract, Feigen Gallery, New York
Interior Landscapes, (curated by Cliff Diver) Delaware Art Museum, Wilmington, DE
Painting Objectives, (curated by Shirley Kaneda) Evelyn Canus Gallery, La- Cole-Surloup, France
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York
Utz, Lennon Weinberg Gallery, New York

1997
Recent Acquisitions, Hirshorn Museum, Washington, D.C.
Current Undercurrent, Brooklyn Museum, Brooklyn, New York
Pierogi 2000 Flatfiles, (curated by Joe Amrheim) The Gasworks, London and Corner House, Manchester, England
After the Fall: Aspects of Abstract Painting, (curated by Lili Wei) Snug Harbor Cultural Center, Staten Island, NY
Intimate Universe Revisited, (curated by Michael Walls) Steele Gallery, New York and Kean College Art Gallery, Trenton, NJ
Music: Kirili, Lewitt and Nozkowski, Gallery 128, New York
Purely Painting, Elizabeth Harris Gallery, New York
See, Hear, (curated by Kazuko Myamoto) Gallery 128, New York
Recent Acquisitions, Cranbrook Art Museum, Bloomfield Hills, MI
New York on Paper, Baumgartner Galleries, Washington, D.C.
Tabula Rasa, Gallery 128, New York
Square Painting/Plane Painting, (curated by Laurie Chambers and Rhonda Howard) Center on Contemporary Art, Seattle, WA

1996
Works on Paper, Max Protetch Gallery, New York
Re-Conditioned Abstraction, Schmidt Gallery, St. Louis, MO
New Narrative Abstraction, Brooklyn College, Brooklyn, NY
Natural Process, Williams Center for the Arts, Lafayette College, Easton, PA; and Center Gallery, Bucknell University, Lewisburg, PA
NEWance, Stephen Wirtz Gallery, San Francisco, CA
Drawing File, Pierogi 2000, New York
Scratch, Threadwaxing Space, New York
Formal Abstraction, Ruth Bachofner Gallery, Santa Monica, CA
Balancing Act, Room Gallery, New York
On Paper II, Schmidt Gallery, St. Louis, MO

1995
Works on Paper, Baumgartner Galleries, Washington, DC
Re-picturing Abstraction, Virginia Museum of Fine Arts, Richmond, VA
On Target, Horodner Romley Gallery, New York
The Painterly, Mountaintop Gallery, Windham, NY
Blue, Stephen Wirtz Gallery, San Francisco, CA
Julia Fish and Thomas Nozkowski Drawings, Revolution, Ferndale, MI
Natures, Gallery 128, New York
Works on Paper (curated by Chris Martin), S. Cono Pizzeria, New York

1994
Intimate Observations, Baxter Gallery, Maine College of Art
New Paintings, Max Protetch Gallery, New York
On Paper, Schmidt Contemporary Art, St. Louis, MO
Intimate Observations, Baxter Gallery, Portland, ME
A Hundred Hearts, The Contemporary, New York
Drawings, Bravin Post Lee Gallery, New York
Possible Things, (curated by Vic Muniz) Bardamu Gallery, New York
Reveillon! (curated by Alain Kirili) Stux Gallery, New York

1993
Early Works, Max Protetch Gallery, New York
Return of the Cadavre Exquis, The Drawing Center, New York
Eight Painters, Carl Solway Gallery, Cincinnati, OH
Inaugural Invitational, The Painting Center, New York
New Moderns, Baumgartner Galleries, Washington, D.C.
Drawings from 55 Ferris Street, (curated by Fredericke Taylor) Jessica Berwind Gallery, Philadelphia and Wynn Kramarsky Gallery, New York
Ferragosto, (curated by Kazuko Myamoto) 128 Rivington, New York
Jours Tranquilles a Clichy, (curated by Alain Kirili) 40 Rochechouart, Paris and Tennisport Arts, New York
Paint and Painted, Fisher Landau Center, New York
Bomb Magazine Benefit, Fawbush Gallery, New York
Italia-America/L'Astrazione Ridefinita, (curated by Demetrio Paparoni) Museo de Stato di San Marino
Intimate Universe, (curated by Michael Walls) Nina Freudenheim Gallery, Buffalo, NY
Works on Paper, Max Protetch Gallery, New York

1992
A New American Flag, Max Protetch Gallery, New York
On Condition, (curated by Julia Fish) Gallery 400, University of Illinois at Chicago
Intimate Universe, (curated by Michael Walls) Michael Walls Gallery, New York
Abstraction '92, Schmidt Contemporary Art, St. Louis, MO
Kinder! Macht Neues!, Galerie Rolfe Ricke, Cologne
Transmodern, (curated by James Mahoney) Baumgartner Galleries, Washington, D.C.
Drawings, Diane Brown Gallery, New York
55 Ferris Street Show, (curated by Fredericke Taylor) Brooklyn, NY
WFMU Benefit/Group Show, Germans van Eck, New York
Group Show, John Berggruen Gallery, San Francisco
Haynes, Metz, Nozkowski, Robins, 55 Mercer Gallery, New York
Sculpture Center Benefit Group Show, Sculpture Center, New York
Thomas Nozkowski and David Reed, Baumgartner Galleries, Washington, D.C.
Shades of Difference, (curated by Shirley Kaneda) Sandra Gering Gallery, New York
Aesthetic Abstraction, Tibor de Nagy Gallery, New York

1991
Stubborn Painting: Now and Then, (curated by Ruth Kaufmann and Mike Metz) Max Protetch Gallery, New York
Know Peace/No Peace, 128 Rivington Street, New York
Outside America: Going Into the '90's, (curated by Collins & Milazzo) Fay Gold Gallery, Atlanta
P.S. 122 Benefit Group Show, P.S. 122, New York
Melancholia, DeAndino Fine Arts, Washington, D.C.
Blossom Festival, Kent State University, Kent, OH
10 Abstract Painters, Baumgartner Galleries, Washington, D.C.
All Quiet on the Western Front?, (curated by Collins & Milazzo) Galerie Antoine Candau, Paris

1990
From Earth to Archetype, Ledisflam Gallery, New York
Working on Paper: Contemporary American Drawing, High Museum of Art, Atlanta, GA
Inaugural Group Show, Paul Cava Gallery, Philadelphia

1989
About Round, Anders Tornberg Gallery, Lund, Sweden
Small Formats, Lang & O'Hara Gallery, New York
Allusions, George Washington University, Washington, D.C.
Post-Modern Painters, John Good Gallery, New York
Drawings, Paul Cava Gallery, Philadelphia

1988
Diagrams & Surrogates, (curated by Saul Ostrow) Shea & Beker Gallery, New York
Seven American Abstract Artists, (curated by David Carrier) Ruggiero Henis Gallery, New York
Drawing Invitational, Tibor de Nagy Gallery, New York
Works on Paper, Martina Hamilton Gallery, New York
The Inscribed Image, (curated by Pat McCoy) Lang & O'Hara Gallery, New York
The Four Corners of Abstract Painting, (curated by Bill Arning) International Gallery Invitational, Javits Center, New York
Five Painters, P.S. 122, New York
Works From a Suitcase, Hofkabinett, Linz

1987
Inductive Geometries, (curated by Sid Sachs) Diane Brown Gallery, New York
Grace is the Better Part of Valor, (curated by Andrea Rosen and Beth Biegler) Sharpe Gallery, New York
Off the Wall, (curated by Carlo McCormick) Kamikaze Club, New York

1986
Inaugural Exhibition, Simard Halm & Shee Gallery, Los Angeles
Thomas Nozkowski and Ron Janowich, Paul Cava Gallery, Philadelphia
The Image Comes From Nature, Jack Tilton Gallery, New York

1985
Painting 1985, Pam Adler Gallery, New York
Drawing Annual, Weatherspoon Art Gallery, University of North Carolina at Greensboro
Chiarascuro, (curated by John Duff) Art City, New York

1984
New Acquisitions, Museum of Modern Art, New York
Fact and Fiction, Tibor de Nagy, New York
Naturlich, Mathews Hamilton Gallery, Philadelphia
Second Nature, (curated by John Post Lee) Bard College, Annandale-on-Hudson, NY
Organic Abstraction, H.F. Manes Gallery, New York
1984 Painting Invitational, Oscarsson Hood Gallery, New York
New Abstract Painting, Lafayette College, Easton, PA; Muhlenberg College, Allentown, PA

1983
Recent Abstraction, Tibor de Nagy, New York
Contemporary Drawings, Mathews Hamilton Gallery, Philadelphia
Inaugural Exhibition, Mathews Hamilton Gallery, Philadelphia
Small Paintings, Victoria Munro Gallery, New York
Five Painters, Getler Pall Gallery, New York
Paintings From the Mind's Eye, (curated by Judy van Wagner) Hillwood Art Gallery, C.W. Post College, Greenvale, NY
55 Mercer: 12 Years, 55 Mercer Gallery, New York

1982
Critical Perspectives, (curated by Joseph Masheck) P.S. 1, Long Island City, NY
Abstract Painting, (curated by Barbara Flynn and Craig Fisher) Art Galaxy, New York

1981
Ten Sculptors, (curated by Lawrence Alloway) State University of New York at Stony Brook
New Work by American and British Artists, 43 Great Jones, New York

1980
Painting as Percept, Ericson Gallery, New York

1978
Three Sculptors, Nobe Gallery, New York
Map Art, (curated by Peter Frank) Nobe Gallery, New York

1977
This Doesn't Look Like a Work of Art II, Truman Gallery, New York

1976
This Doesn't Look Like a Work of Art, Parsons-Truman Gallery, New York

1973
New Talent, Betty Parsons Gallery, New York

Selected Bibliography

Alloway, Lawrence. "Review." The Nation (June 25, 1973). "55 Mercer: 12 Years," catalogue essay, New York: 55 Mercer Gallery, 1981.
Artner, Alan G. "Abstract Renewal Pays Off For Nozkowski." Chicago Tribune(January 30, 1987). "Deliberate But Not Simple," Chicago Tribune (April 10, 1992).
Bellamy, Peter The Artist Project (New York, 1991).
Bourdon, David. "Art." Village Voice (May 10, 1976).
Carrier, David. "Thomas Nozkowski Paintings." Arts (October 1983). "The Art in Handwriting." New Observations #47 (April 1987). "Signification and Subjectification." Arts (May 1989). "Extending the Language of Abstraction." Art International (Autumn 1990). "Interview With Thomas Nozkowski." Tema Celeste (Spring 1993). "The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980's." University Park, PA, 1994 [revised version of carrier, 1989]
Carswell, Rodney. catalog essay. Chicago 1998.
Colby, Joy Hakanson. "Exhibits." The Detroit News (November 5, 1993).
Corn, Alfred. "Thomas Nozkowski at Max Protetch." Art in America (April 1996).
Cowart, Jack "Pentimenti or Remembrance of Things Past," catologue essay Washington D.C. 1989
Cyphers, Peggy. "Thomas Nozkowski." Arts (January 1989).
Danto, Arthur C. “Best of 2000, “ Artforum Magazine, December, 2000
Diver, Cliff. "Interior landscapes," catalog essay, Delaware Museum of Art, Wilmington, 1998.
Doe, Donald “Trusting Intuition” catalogue essay, Grinnell, IA
Donohoe, Victoria. "Abstract Return by Nozkowski," The Philadelphia Inquirer (April 17, 1987).
Dunbar, Jill. Art Review. TheVillager (March 21, 1978).
Edelman, Robert G. "Aesthetic Abstraction." Tema Celeste (April/May 1992).
Fallon, Roberta “Philadelphia Story,” artnet.com magazine, October 16, 2000 “Abstracting the Piece,” Philadelphia Weekly, September 6, 2000
Fendrick, Laurie “Why Abstract Painting Still Matters,” The Chronicle of Higher Education, April 30, 1999
Feldman, Anita "Painting as Percept," catalogue essay, New York, 1981.
Fleming, Lee Art Review. The Washington Post (March 19, 1994)
Fendrick, Laurie "Why Abstract Painting Still Matters." The Chronicle of Higher Education (April 30, 1999).
Frank, Peter. Village Voice, March 11, 1979. "Thomas Nozkowski." LA Weekly (June 21-27, 1996) “Pick of the Week: Thomas Nozkowski.” LA Weekly (September 7, 2001).
Gilbert, Chris. "Surveiller et Punir." Washington City Paper (September 12, 1997).
Hackett, Regina “Square Painting/ Plane Painting,” Seattle Post-Intelligencer, January 24, 1997
Hagen, Charles. "Thomas Nozkowski." Artforum (January 1989). "Thomas Nozkowski." catalogue essay, Glendale, PA, 1991.
Haider, Gertrude. Tagblatt (Linz, Austria) (June 18, 1987).
Harris, Susan A. "Thomas Nozkowski.” Arts Magazine (May 1983).
Heartney, Eleanor. "Artists vs. the Market." Art in America (July 1988).
James, Merlin “New Abstraction,” The Burlington Magazine, April 2000
Johnson, Ken. "Thomas Nozkowski." The New York Times (September 19, 1997). "Thomas Nozkowski." The New York Times (March 10, 2000).
Joyce, Julie. "Thomas Nozkowski." Art Issues (September/October 1996).
Knight, Chris "Thomas Nozkowski." The Los Angeles Times (April 14, 2001).
Kunitz, Daniel. "Gallery chronicle." The New Criterion (May 2000).
Lauterbach, Ann. "Subject to Change." Conjunctions: 6, 1984. [reprinted in Before Recollection, Princeton, 1987]
Masheck, Joseph. "Pressing On: Thomas Nozkowski's Paintings." Artforum (May 1981). "Nozkowski: Pressing On," Historical Present: Collected Essays, Ann Arbor, MI: University of Michigan Press,1984. [revised version of Masheck, 1981] "Painting and Proliferation." L.A.I.C.A. Journal (Fall 1985). "Abstract Harmonies." Art in America (March 1988). "Thomas Nozkowski: Painting and the Struggle of Analogy," Modernities: art matters in the present, University Park, PA: The Pennsylvania State University Press, 1993. [revised version of Masheck, 1985]
McCoy, Mary. "Reed and Nozkowski." The Washington Post (February 29, 1992).
McWilliams, Martha. "Getting Back to Abstracts." Washington City Paper (August 21, 1992).
Miles, Christopher "Thomas Nozkowski." Artforum (June, 2001).
Mitchell, Charles Dee. "Thomas Nozkowski at Max Protetch." Art In America (July 2000).
Miro, Marsha. "Painter's Painter Uses Shape, Color in Surprising Ways." Detroit Free Press (November 12, 1993).
Moos, David. "Sonnet: The Painting of Thomas Nozkowski," catalog essay, Corcoran Museum of Art, Washington, D.C., 1997.
Morgan, Robert C. "Thomas Nozkowski at Max Protetch Gallery." Review Magazine (September 15 1987). "Thomas Nozkowski: New Paintings." Review Magazine (March 1, 2000): 17.
Moszynski, Andrew. "If You Can Paint, I Can Walk: A Dialogue with Thomas Nozkowski." Pierogi Press (Fall 1998).
Muhr, Isabelle. Krenen-Zeitung (Linz, Austria) (June 18, 1987).
Naves, Mario. "Persevering In Paint: Steve Wheeler and Thomas Nozkowski." The New Criterion (December 1997). "A Show of Shows: Nozkowski's Masterful Conundrums." The New York Observer (March 13, 2000). “A Low-Key Painter with a World-Class Rep.” The New York Observer (October 29, 2001).
Neher, Ross. Blindfolding the Muse (New York, 1999).
Newhall, Edith On View. New York Magazine (September 15, 1997).
Ostrow, Saul. "Thomas Nozkowski." Bomb Magazine (Spring 1996).
Pagel, David "Scratching the Surface." LA Times (March 28, 1996).
Perrault, John. Village Voice (June 21, 1973).
Prose, Francine. "An Interview with Thomas Nozkowski." Bomb Magazine (Fall 1998).
Protzman, Ferdinand. "Reunited At Last." The Washington Post (November 9, 1996).
Ratcliff, Carter. "Fact and Fiction," catalogue essay, 1984.
Richard, Paul. "Thomas Nozkowski." The Washington Post (September 27, 1997).
Row, David “Just Enough: Thomas Nozkowski,” Zing Magazine, Autumn, 2000
Rubenstein, Raphael "Full Circle." Art in America (May 1995).
Ryan, David. "An Interview with Thomas Nozkowski," Talking Abstract: Issues in Contemporary Abstract Painting (London, 2000).
Sanford, Graham. "Thomas Nozkowski and Richard Rezac," New Art Examiner (February, 1999).
Schjeldahl, Peter. "The Next Pitch: Thomas Nozkowski and the Crisis in Abstract Painting," catalog essay, 1996, Washington, D.C. "Hard Bliss: The Indispensable Thomas Nozkowski" Catologue Essay 1997, Washington D.C.
Schwabsky, Barry. "Thomas Nozkowski." Artforum (November 1993). “Thomas Nozkowski,” Artforum Magazine, May 2000
Smith, Roberta. "Abstraction: A Trend That May Be Coming Back" The New York Times (January 10, 1992). "Thomas Nozkowski." The New York Times (June 8, 1990).
Sozanski, Edward J. "Two Artists at Cava." The Philadelphia Inquirer (January 16, 1986). "Abstract Oils on Paper by Nozkowski." The Philadelphia Inquirer (April 18, 1991). “Two Artists at Cava,” The Philadelphia Inquirer, January 16, 1986
Sugiura, Kunie. "From New York." Bijutsu Techo (Japan) (January 1992).
Temin, Christine. "Summer Madness at Galleries." The Boston Globe (July 27, 1989).
Van Wagner, Judith. "Paintings From the Mind's Eye," catalogue essay, Greenvale, NY, 1983.
Walker, Joy. "New York Gallery Walking." Next #36 (Rome) (Spring 1996).
Wasserman, Nadine “An Autobiography.” Dorsky Museum of Art, New Paltz, NY, 2001.
Welish, Marjorie. "Food for Centaurs." Arts (December 1991) (Revised version in Signifying art : Essays on art after 1960 [Cambridge 1999]). "Thomas Nozkowski and David Reed," Catologue essay 1992, Washington D.C.
Westfall, Stephen. "Thomas Nozkowski." Art in America (April 1984).
Wilkins, Karen. “At the Galleries.” Partisan Review, vol. 67, no. 3 (Summer 2000).
Worth, Alexi. "Thomas Nozkowski." Artnews (November 1997).
Wright, Jeffrey C. "Shaping Abstract Imagery." Cover Magazine (April 1997).
Zimmer, William. "Thomas Nozkowski." SoHo News (November 26, 1980).
Zinsser, John. "Plotting Self-Doubt: The Paintings of Jonathan Lasker and Thomas Nozkowski." Arts (May 1988).

Public Collections

Addison Gallery of American Art, Andover, MA
The Benton Museum of Art
The Brooklyn Museum, Brooklyn, NY
Centre National des Artes Plastiques, Paris, France
Chase Manhattan Bank, New York
The Corcoran Gallery of Art, Washington, D.C.
Cranbrook Museum of Art, Bloomfield Hills, MI
The High Museum of Art, Atlanta, GA
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
New York Public Library, New York
Orlando Museum of Art, Orlando, FL
The Phillips Collection, Washington, D.C.
Reader's Digest Collection, New York
Smith College Museum of Art, Northampton, MA
San Francisco Museum of Modern Art, San Francisco, CA
Edwin A. Ulrich Museum of Art, Wichita, KS
Vassar College Art Museum, Poughkepsie, NY
The Whitney Museum, New York